Takeout Kids Documentary

INFO

NameTakeout Kids
Year2022
Director(s)Julie Zhu
Producer(s)
Producers: Sophie Dowson (S1), Jin Fellet (S2) 
Executive Producers: Amber Easby (S1), Sophie Dowson (S2)
Composer(s)Shantini Sandran, Shalina Sandran, Tāl
ArtformScreen
Creative Team
Directors of Photography: Daryl Wong (S1), Milon Tesiram (S2) 
Additional Camera: Julie Zhu 
Sound Recordist: Joey Siasoco 
Editors: Josh Yong (S1), Isaiah Tour (S2) 
Title Design: Siew Wee H’ng

ABOUT

Directed by filmmaker Julie Zhu, Takeout Kids is a documentary series about the children of immigrant parents and their experiences growing up in family-owned restaurants and businesses across Aotearoa. Initially focused on takeaway shops, the series later expanded in season two to feature families who run a dairy, a night market stall and a nail salon. Nine episodes have been filmed to date, in cities including Pōneke Wellington, Ōtautahi Christchurch and Tāmaki Makaurau Auckland, as well as around the country in regions such as Whakatāne, Akaroa, Thames and Taupō.

Takeout Kids is an observational documentary. Each episode is filmed and edited without narration or interviews, with Zhu’s “fly-on-the-wall” approach aligning closely with her non-fiction film and photography practice of capturing everyday human moments. Zhu’s ongoing interest in the domestic lives of immigrants — best represented by her podcast Conversations With My Immigrant Parents — is also influential in the series’ intimate access to the private, unseen lives of its subjects, whose stories “are often relegated to the sidelines.”

Zhu moved to Aotearoa from China when she was four years old. Although her parents did not own a takeaway shop, she related to the children she was documenting as someone who “grew up with parents who were always working.” With the series establishing itself as being “more about the families and their relationships rather than necessarily about the food,” Zhu was able to explore “the intergenerational relationships between these family members and what it might be like for the kids who are growing up in this environment, how they view their parents and their sacrifices, or if they’re aware of that all.”

Many of the shops featured are run by Asian owners, while others include Samoa’s Finest in Porirua; Petra Shawarma in Kingsland, Tāmaki Makaurau, which sells Jordanian food; and also in Tāmaki Makaurau, Tanz KTCHN, which sells Cook Islands food at night markets. Each episode centres on an individual child and depicts their daily life — attending school and studying at home, socialising with friends, helping out (or just hanging out) at their family’s restaurant or shop — in unscripted vignettes.

Through Zhu’s “quiet and unobtrusive direction,” Rose Lu for The Pantograph Punch praised the series for offering “a window into the small, mundane interactions that speak volumes about the highs and lows of being a takeout kid. We are shown the richness of the lives of people who provide such an essential service: affordable cooked food.” Writing for Metro, Jean Teng highlighted Zhu’s resistance to tropes by “prioritis[ing] the kids” and “not driving a specific narrative about immigrant lives that...a lot of projects which fall into this genre tend to do, as if they already know what every story beat will be.”

Takeout Kids was produced by Hex Work Productions and Uhz for The Spinoff, with funding from NZ On Air. Former Pan-Asian Screen Collective board member and current General Manager at The Spinoff, Sophie Dowson — who was Head of Video at the media organisation when the series was commissioned — produced the first season. Senior Producer at The Spinoff, Jin Fellet, produced the second season. Episodes were released on YouTube and The Spinoff in February 2022 and August–September 2024 respectively.

LINKS

Key works / presentations

2025 — Festival International du Film Océanien, Tahiti

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OTHER PHOTOS AND Ephemera

A young girl with a serious expression stands in a commercial kitchen, wearing a dark zip-up top and a white scrunchie in her curly hair.

Film still of Rama, Petra Shawarma, Kingsland, Tāmaki Makaurau (EP1)

Workers in green uniforms and aprons serve customers behind the counter of a takeaway shop, with a detailed menu board overhead and food packs listed on the glass display.

Film still of John, Westminster Takeaways, Ōtautahi (EP2)

A boy in a dark hoodie looks to the side outdoors at sunset, with blurred figures and soft golden light in the background.

Film still of Brooklyn, Sunburst Coffee Lounge, Thames (EP3)

A woman wearing gloves and a black jacket peels a root vegetable while crouched near crates in a dimly lit kitchen area.

Film still of Martynique, Samoa’s Finest, Porirua (EP4)

A young boy in a blue shirt eats a pink ice block inside a convenience store, while a man holding a small child stands at the counter in the background.

Film still of Priyan, Sandringham Bulk Foods & Rocky’s Superette, Tāmaki Makaurau (EP5)

A woman in a bright pink traditional outfit and a boy in a blue patterned shirt stand outside by a parked car and look upward, both appearing intrigued or amused.

Film still of Dom, Thai Delight Restaurant & The Mira Restaurant, Taupō (EP6)

A girl stands in soft blue-tinted lighting, focused and slightly sweaty, with her arm outstretched and her hair tied back in a bun.

Film still of Lauren, Tanz KTCHN, Tāmaki Makaurau (EP7)

A girl with a long braided ponytail stands behind a counter, carefully organising utensils in a quiet, dimly lit restaurant.

Film still of Phitcha, La Thai Restaurant, Akaroa (EP8)

A young girl in pigtails stands in front of a mirror, applying lip balm with a focused expression while wearing a red fleece jacket.

Film still of Kyla, City Nails, Whakatāne (EP9)

Kyla behind the camera outside City Nails, Whakatāne